Living Walls Controversy

So this is Living Walls Part 3, I guess…or maybe instead of Living Walls: The City Speaks, this is Living Walls: The Conversation Continues. Or maybe you could even call it Living Walls: The Assault.

I’ve just heard that some of the Living Walls murals have already been painted over, most notoriously by a local writer named Vomet. Here are photos of the Swampy/Gaia/Greg Mike wall, taken from the Living Walls Facebook page:

    The FB reaction ranges from people cheering Vomet on and complementing his style to disappointment, outrage and casual acceptance.

    Keep reading at Juxtapoz.

    Living Walls Street Art Conference

    Part 2 to be posted tomorrow…

    Swampy, Gaia and Greg Mike’s legal mural

    Back from Atlanta, back from three days of street art summer camp aka the Living Walls Conference. Those three days were pretty intense—can’t imagine how it must’ve been for those artists who lived in the common quarters and spent a full ten days painting, pasting and partying.

    Jason Kofke working outside of the Eyedrum garage

    Ming Donkey and I rolled into town around 9pm Thursday, August 12 and headed to Eyedrum. A gated art compound in a seedy neighborhood, Eyedrum is a warehouse and a crumbling garage with a maze of back sidewalks, which line railroad tracks and wind to privately leased studios. Travel-bleary, we tumbled out of the truck with our dog, Booger, blinking dumbly at the spread before us—the grungiest, rowdiest art squat in the history of Atlanta.

    Keep reading at Juxtapoz.

    Willoughby Windows: the Art of Gentrification

    IMG_2397

    The Willoughby Windows project opened in July. Gaia, a project contributor, mentioned it a few times in his Juxtapoz blog, and Martha Cooper posted great backstage shots of the installation process. I finally paid a visit to the windows yesterday and thought I would post some pics of the finished product. In these photos, I love how the reflections of the street merge the environment with the artwork. If you haven’t heard about this yet, and you’re in New York, stop by—I think these windows stay up until November 12, and then they plan to either demolish the buildings or install new artwork—whichever comes first.

    The story behind the windows goes something like this: the business owners for this little block of Willoughby (88-106) were given short notice to vacate the premises (minus relocation assistance or any guarantee of new retail space), thanks to the ever-push for city space. The Brooklyn Paper (June 2 issue) puts it this way:

    “Tenants in two squat buildings at the corner of Bridge Street were told last month that they are being evicted to make room a $208-million, 30-story tower.

    Manhattan-based United Am­erican Land plans to build nearly 600,000-square-feet of retail and high-end residential space on Willoughby between Bridge and Duffield Streets, said Tom Conoscenti, an analyst with the Down­town Brooklyn Partnership, a city office overseeing a real-estate boom that consists of new office towers, residential buildings and improved street furniture.”

    Ironically, after the tenants were forced to pack-and-run, the development project has stalled indefinitely, another victim of the imploded real-estate bubble and woeful economy. Keep reading at Juxtapoz

    Is Today Already Tomorrow? More Gaia

    …Part II of my Gaia interview at Juxtapoz

    Gaia started out trying to be a graffetti artist, at roughly, age 15:

    “I posted this horrible piece on a rooftop 4 yrs ago. I was writing ‘Catch 22′ or something, and I posted it on my myspace page. I was interested in graf, and I had these delusions of grandeur.  I was like, ‘I’m gonna hit the streets really hard,’ and Cheeks, he messaged me, ‘hey man you do graf,’ and we started having interesting conversations over IM.”

    While Gaia still respects graf, he labels his street art “more beautiful than graf,” partially because it’s more accessible to the general public than a throw up (for elaboration, read the Juxtapoz interview).
    Continue reading